Speaking of film market imbalance… The 2018 Cannes film festival and market has seen 12 411 participants from 114 countries, of which: 980 — festival programmers 1 743 — buyers 3 858 — producers +
Saw the premiere in Cannes… A rather weird alternative rendition of an (imagined?) fleeting romance of legendary Russian pop-rock singer Viktor Tsoi in the 1980s Saint Petersburg. Hipsterish B&W, “It Never Happened” announcements, 4th wall pokes, awkward handwriting notes on the screen… I much prefer +
Projection quality in most cinemas today is, alas, quite bad. If you think seeing a movie on a “big screen” is “the best cinematic experience”… well, sorry to disappoint you. On average, what you see in theaters worldwide, including in supposedly top-notch multiplexes in world +
La Prière / The prayer at the Berlin Film Festival is a classically, solidly, well-told story about a French heroin addict who joins a Christian Catholic community of former addicts who live isolated in the Alps mountains and use manual work and prayer as a +
A premiere of “Dovlatov” film at the Berlin Film Festival. 6 days in the 70s life of a Soviet writer Sergei Dovlatov – Сергей Довлатов, an unknown to almost anyone in the USSR until it fell in 1991. And still largely unknown globally. Unfortunately, not +
If you care about my opinion about the Berlin Film Festival line-up and awards — except the very, very worthy La Prière — it’s a perfect image of the mentally sick asylum which is our current, past and future global society. I chose to quit +
Have finally watched Manchester By The Sea… Not a really wise choice given the recent death in my own family. An extremely sad drama with an almost complete collection of human dysfunctions in American context. Cinema aspects: excellent, stunning acting, just amazing, touches even through +
Well, I think Ken Loach’s “I, Daniel Blake” Palme at Cannes 2016 is well-deserved. One of his best, with “Riff Raff”. But, typically Loachy. Social, touching… but nothing exceptional, nothing surprising. More of a documentary, a light on a problem that needs to be shined +
All the dates, specs, numbers and other production details of my longest feature film so far, Kvadrat Gear. +
What better way to rest from all the hard shooting and editing of my first feature film, Kvadrat, than to shoot and edit a second feature film? Especially if it’s the exact opposite of the first one? A classical documentary with dialogue, voice-over, still photos and archival footage? +
My own thoughts about my Kvadrat film. The reasons to get into cinema, film a documentary, decide on a feature instead of a short, choose a weird techno musical genre… The goals, the themes, the ideas, the style, the execution, the difficulties and other details. +
The original synopsis of my Kvadrat documentary feature film I wrote in April 2011. How does it compare with the end-result? +
Curious about my latest film’s production dates, budget, team and gear? Check out some vital stats of this extreme production. +
So, what the hell have I been doing for the past 2,5 years? Where are the new posts and photos? Well, other than fast-touring through a rather painful peritonitis on my Bike Friday PRP en route to Zurich… I was shooting a feature film. As a director, DP and editor. +
Human-made global warming kills. The mankind, the animals, the planet. Josh HARRIS, Tim GODSALL and the Ogilvy agency reach out to the passers-by in a striking, effective, minimal, symbolical way. And they suggest solutions. Actions. +
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