ANATOLY IVANOV / PROSE / 2025-01-10

THE SILO: KNOWLEDGE IS POWER, BUT ENGINEERING SUCCUMBS TO AMNESIA

by Anatoly IVANOV

ARCHITECTURE / CINEMA / PHYSICS / PSYCHOLOGY / SOCIETY / REVIEWS

The Silo series, like The Expanse, aspires to blend intricate sociodynamics with grounded engineering realism. Or does it dig its way down? The core of both stories — scientia potentia est — is clear. Knowledge is power.

As Season 2 nears its conclusion, only those at the top know enough to govern, or, for those preferring historical materialism, to oppress. This premise, while artfully braided with fiction, mirrors the structure of our own world with uncomfortable clarity.

We face a choice: drown in distractions — Friends, TikTok, whatever comes next — or educate ourselves to dissect what’s real. To seize even a sliver of control over our finite lives.

Yet, for all its narrative ambition, Silo stumbles in its execution. Its lapses in technical and scientific rigor pile up, undermining the plausibility of its carefully imagined dystopia. Let me enumerate the most glaring examples:

While Silo offers a compelling exploration of control, knowledge, and oppression, its technical improbabilities erode the foundation of its otherwise impressive storytelling for more knowledgeable viewers. But hey, I did say something about most of us lacking the scientia?

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