Painting has enjoyed a privileged position over sculpture and architecture in much of art history since the Renaissance; furthermore, abstract and non-objective painting held the defining position throughout the history of Modernism from its beginnings in Impressionism into the 1970s. Abstract painting has even been declared "the Modernist medium par excellence," as it was so well suited to spiritual quest, self-expression, and formalist invention, issues that shaped the culture of the late nineteenth century and much of the twentieth.
In the past three decades, however, contemporary art has been broadened and enlivened by artists working in the new forms of performance, installation, public art, video and film, digital media, and the Internet, and it seemed as if our electronic age no longer had patience for, let alone interest in, new ideas and approaches to abstract painting. The rich and heavy history of abstract painting, together with persistent critical debate denying its relevance in a Postmodern world, nearly extinguished serious efforts to pursue new forms of abstract painting.
My goal is to interrelate abstract painting with new technologies, mass production, worldwide distribution and cross-publishing. By doing so, my ambition is to inject fresh energy and ideas into contemporary art by exploring issues of abstract painting, a medium considered by many to be a dead end.
Christine
Auger
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